Skip to main content

Posts

  I think what struck me the most was the end of the film because the two killers are young teenagers like us. We see no expressions of regret but a pleasure in killing other young people, other people without any scruples.    We see the atrocity that can happen when we least expect it. Despite a heavy atmosphere and the fact that the characters are filmed from behind which is ennociating of a tragic end...and makes us think about it. However, the film remains calm and slow throughout. The ending therefore appears even more shocking.  What is impressive, would be this aspect of contrasts between the slowness of the film, the banality of the actions. A typical day of a high school student. We see the activities of each character, their hobbies. We see them in the corridors through repeated actions. Effects through slow motion replays. Everything seems calm, heavy atmosphere... we expected a little action but not like that. Not a big massacre...
! the March for our Lives !
! the March for our Lives !
! the March for our Lives !
Google search: Locavores :   It’s an adept of sustainable development, locavorism brings consumers together around a simple idea:   to eat exclusively local food. They are consumers of local products, who respect a dietary discipline and a way of life; that of eating products whose geographical origin is located less than 160 km from their plate. Refusing the abuses of globalization, wanting to make progress on the ecological front, locavores support the local economy. They prefer seasonal consumption from local producers. They fight, on their own scale, against ecological drift by limiting pollution linked to transport, the use of packaging and the abuse of pesticides, fertilizers and GMOs... This is a chosen lifestyl with the concerns of the people who consider that within modern society , a utopian alternative . But let's look at a more specific way of life, In harmony with  a modern vision of the good savage :  My personal document: ...
THE MYTH OF THE NOBLE/GOOD SAVAGE Painting of a representation of the noble/good savage by George Catlin  ⋆The noble savage is a common romanticized stereotype of various indigenous peoples. The visual trappings and associations change depending on the culture, but the underlying idea is constant:  The noble savage is portrayed as ignorant and simple-minded but simultaneously uncorrupted by any of the moral failings of modern civilization and possessing an innate wisdom and connection to nature .  A literary stock character who embodies the concept of  outsider, indigene,wild human, an "other" who has not been "corrupted" by civilization, who symbolizes                                              humanity's innate goodness. Thus, there is often a paradoxical quality to the way the stereotype is presented  ...